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| BIO | |
| Bernie Lubell's interactive installations have evolved from his studies in both psychology and engineering. As participants play with his whimsical wood machines, they become actors in a theater of their own imagining.
Since the early 1980's his installations have been shown internationally. Lubell's work includes a stone age digital computer, a rainstorm of chaos and nostalgia, a phone booth-confessional communications network, simulations of the human heart and brain and a cooperative knitting machine.
Mr. Lubell has received an Award of Distinction from Ars Electronica in 2007, a Guggenheim Artists Fellowship in 2011, an Adolph & Esther Gottlieb artists grant in 2009, Pollack Krasner Foundation Grants in 2002 and in 1991, had a residency at the Tryon center for the Visual Arts from January- March 2002, an Individual Artist Grant from The ArtCouncil, S.F. for the year 2001, an Artists Fellowship from the California Arts Council in 1996, a residency at the Liberty Science Center with Paul DeMarinis in Jersey City N.J. in 1995, a residency at the Headlands Center for the Arts, Sausalito, Ca. in 1993, and an Artists Project Grant (w/ Paul DeMarinis) from the NEA in 1991.
He lives and works in San Francisco, California. |
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| RESUME OF EXPERIENCE Download resume (PDF) |
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| One Person Exhibitions: | |
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| 2011 | Party of the First Part at The Exploratorium, San Francisco, CA |
| 2010 | Conservation of Intimacy and other works at San Jose Institute for Contemporary Art in San Jose, CA. This show was also be part of the Zero/One Festival in San Jose. |
| 2009 | A Theory of Entanglement a new commission for FACT in Liverpool, UK. Conservation of Intimacy. ...and the Synapse Sweetly Singing and Etiology of Innocence were also shown. |
| 2009 | The Origins of Innocence at the v2 Center for unstable Media in Rotterdam, NL -- essentially a reprise of the show at FACT |
| 2008 | Sufficient Latitude and other installations at the Art Center College of Design in Pasadena, CA featuring Conservation of Intimacy, ...and the Synapse Sweetly Singing and Etiology of Innocence |
| 2007 | Conservation of Intimacy at OK Center in Linz, Austria |
| 2007 | Etiology of Innocence at Cal State Fullerton in Fullerton, CA |
| 2007 | A Little Breathing Room at the Exploratorium in S.F., CA |
| 2005 | Conservation of Intimacy at the Sanchez Art Center in Pacifica, CA |
| 2003 | Confluence and Compression at the Cusp of Continuity:... and other work at the Model Art Center in Sligo, Ireland |
| 2003 | Sufficient Latitude and other work at the Ark in Dublin, Ireland |
| 2003 | And the Synapse Sweetly Singing and other work at the Bedford Gallery in Walnut Creek |
| 2000 | Cheek to Cheek and other works at California State univ., Chico |
| 2000 | Sufficient Latitude and other work at New Langton Arts in S.F., CA |
| 1999 | A mid career retrospective premiering Sufficient Latitude and other new work at the Mus. of Contemporary Art in Lake Worth, FL. |
| 1996 | The Furtive Ear for "Sound Culture '96" |
| 1996 | Beside Yourself a collaboration with Dean MacCannell and Juliet Flower MacCannell @ New Langton Arts. |
| 1993 | The Niche of Desireat the Headlands Center for the Arts in Sausalito, Ca. |
| 1993 | Dry Rain Peddling a collaboration with Paul DeMarinis at the Intersection in S.F. |
| 1992 | The Archaeology of Intention in the lot adjacent to the S.F. Arts Commission Gallery. |
| 1991 | The Second Story; A Twice Failed Tale (revised and enlarged) @ LACE, Los Angeles. |
| 1989 | The Second Story: a Twice Failed Tale @ New Langton Arts, S.F., Ca. |
| 1987 | The Dangling Participle: a Catastrophe of Self-Organization at Bluxome Gallery, S.F., Ca. |
| 1985 | Self-Fullfilling Propensity and the Paradox of Primacy at the Museum of Modern Art Rental Gallery, S.F., Ca. |
| 1984 | Parallel Propagation, Redundant Revelation and the Ascendency of Noise in Non-Orientable Loops at Lawson Galleries, S.F., Ca. |
| 1984 | Propensity is the Mother of Invention at Southern Exposure in S.F. |
| 1983 | at Twin Palms Gallery, S.F., Ca |
| 1980 | at The Magic Theatre, S.F., CA |
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| Group Exhibitions: | |
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| 2011 | Aphasiogram for the "Translife" show at NAMOC, Bejing, China |
| 2010 | Accident Report & Niche of Desire in "The Seduction of Duchamp" at the Museum of Los Gatos, CA |
| 2009 | Accident Report & Niche of Desire in "The Seduction of Duchamp" at the Duchamp Winery, Healdsburg, CA & at Artzone 461, S.F., CA |
| 2005 | Conservation of Intimacy -in the "Practice Makes Perfect" show @ Southern Exposure, S.F., CA |
| 2004 | ...and the Synapse Sweetly Singing -in the "Death" show @ JFKu, Berkeley, CA |
| 2002 | Making a Point of Inflection and other work at tryon Center for the Arts, Charlotte, NC |
| 2000 | Cheek to Cheek - ArtCouncil show @ Jernigan Wicker, S.F., CA |
| 1999 | The Etiology of Innocence in the "Bay Area Now-2" show at Yerba Buena Gardens in S.F. |
| 1998 | Why Words Fail at Paradise Ridge Winery in Santa Rosa, Ca. |
| 1995 | Drawing Breath for "Contact" show at S.F. Art Inst. |
| 1995 | Appreciating The Lady By Sawing Her In Half - Interactive Multimedia computer piece for Sopmuseum in Stockholm, Sweden. |
| 1994 | The Wind Within & The Furtive Ear for at Headlands Center for the Arts in Sausalito, Ca. |
| 1994 | Confluence & Compression at the Cusp of Continuity; an Ante-Diluvian Catastrophe @ CCAC in Oakland, Ca. |
| 1992 | "Seeing Time" show at Pro Arts in Oakland. |
| 1991 | Accident Report! @ Security Pacific Gallery in S.F. |
| 1988 | "Introductions" show @ Bruce Velick Gallery, S.F. |
| 1987 | "Final Exhibit" @ Bluxome Gallery, S.F. |
| 1986 | "New Space/New Art" @ Bluxome Gallery, S.F. |
| 1985 | "Thomas Albright: Epilogue" @ Bluxome Gallery, S.F. and Curator of "The Written Word", Twin Palms Gallery, S.F. |
| 1984 | Small Format Exhibition, Bluxome Gallery, S.F., S.F. Arts Commission Gallery, S.F., Ca. and "California" @ Bluxome Gallery, S.F. |
| 1983 | Shows at Twin Palms Gallery and S.F. Arts Festival |
| 1982 | ISC show at SOMAR Gallery. |
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| Selected Commissions: | |
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| 2009 | A Theory of Entanglement for FACT in Liverpool, uK and v2 in Rotterdam |
| 2001 | Laguna Honda Hospital, S.F. in collaboration with Ann Chamberlain |
| 2000 | Rockit Ship for Michael and Lilli Bartalos, S.F., CA |
| 1990 | A transaction in the Field of Gravity, an unlikely device which ultimately succeeds in turning itself off. For the Exploratorium in S.F. |
| 1988 | Gaea Ex-Machina , an 8' rotating concrete goddess w/ a moveable wing for D.&B. Carlson in Orinda, Ca. |
| 1987 | Articulate Gat with Conjugate Case for J. Kaplan, Tiburon, Ca. |
| 1986 | Surface of Center for Mimi Mindel, S.F. |
| 1986 | a 137 part knockdown drawing table for B. Carlson |
| 1985 | Ad Hoc Semi-Symetric II (sic) , a rocking chair for M. McGee, S.F. |
| 1983 | "cut out" redwood gate and fence for SOMAR Cultural Center, S.F. |
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| Theatre Set Design: | |
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| 1996-1999 - Exhibit design and construction for Interval Research Corporation. | |
| 1996-1997 - Exhibition designs for "Be Now Here" by Michael Naimark. | |
| 1981 - "Passing Shots" and "The Feeding", Magic Theatre, S.F. | |
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1979 - "Nightfall", Magic Theatre. |
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| Grants and Awards: | |
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| 2011 - John Simon Guggenheim Artists Fellowship | |
| 2009 - Adolph and Esther Gottlieb Foundation Artists Grant | |
| 2007 - Award of Distinction for Interactive Art from Ars Electronica, Linz Austria | |
| 2002 - Pollack Krasner Foundation Grant | |
| 2002 - Residency at the tryon center for the Visual Arts | |
| 2000 - The ArtCouncil, S.F. Individual Artist Grant | |
| 1996 - California Arts Council, Artists Fellowship. | |
| 1995 - Residency at Liberty Science Center, N.J. with Paul DeMarinis | |
| 1993 - Residency at the Headlands Center for the Arts, Sausalito, Ca. | |
| 1991 - Artists Project Grant (w/ Paul DeMarinis) from NEA. | |
| 1991 - Pollack-Krasner Foundation Grant. | |
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| Misc. | |
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| 2000 | "Sufficient Latitude" a photoessay in New Observations Magazine #127 |
| 2000 | "The Etiology of Innocence" -- a talk presented before the California Psychoanalytic Circle in S.F. Published in a magazine. |
| 1999 | "Observe Silence!"- a Photo essay in Performance Research Dec. 1999 issue. |
| 1997 | Co-author of "You Are Here, You Think" in Reclaiming San Francisco pub. by City Lights Press. |
| 1996 | Teaching "Paradigms Lost" at CCAC. |
| 1994 | Presented ...but Pleasure is the unprinciple at the M.L.A. meeting in San Diego, Ca. |
| 1994 | Co-taught Robotics class in Art Dept. at S.F. State. |
| 1994 | Co-Leader of "You are Here (You Think)" an interactive bus-tour of S.F. investigating tourism, "attractions" and "authenticity". |
| 1992 | Teaching " Rube Goldberg" invention seminars in S.F. public schools and teacher workshops. |
| from 1990 on: | Instructor, guest lectures and workshops at Mills College, CCAC,u.C Berkeley and Davis, S.F. Art Inst., Stanford univ. Western Washington univ. and S.F. State. |
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| Education: | |
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| S.F. Art Institute 1975
City College of S.F. 1973 univ. of Wisc. (Madison), 1968-71.-- M.A. in Social Psychology. Columbia College, 1965-68, Psychology major. -- B.A. 1968 Carnegie Inst. of Technology, 1963-65, Physics major |
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| Born: 1/11/47 in Baltimore MD,USA Back to Top |
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